Fish Fry Daughter Returns & Other Poems
Sara Ries
Fish Fry Daughter Returns
Maybe you’ve heard this story:
I was born on a Fish Fry Friday
in November’s icy grip.
When the call came, my father stayed
at the Holiday Inn kitchen
to fry fish for a party of seventeen.
He made it for my arrival
with seconds to spare.
When all the platters were packed with fish
coleslaw, mac salad, tartar and lemon,
my father threw off his apron,
hopped in his piece of junk Chevy Vega.
That was the last time it started,
its next stop: bones in the junkyard.
I’m sure he noted the moon,
how it must have hung heavy in the sky.
He’d curse the lazy drivers
all the way to Mercy Hospital,
where he’d say thank you at least twice
to the nurse who directed him to the room,
told him he’d better get there right away.
Maybe you’ve heard the poem that ends
with my hope that when my father first held me
it was with haddock-scented hands,
apron over his black pants still sprinkled with flour
forehead oily from standing over the deep fryer
telling the fish to hurry, hurry—
here’s another ending.
I arrived with the umbilical cord wrapped
around my neck, my first necklace:
miracle baby, the doctor said.
I was born from the pull of my mother’s longing,
the stretch of time where my mother laid in a hospital bed,
gown sticking to her skin, her hair a tangle of golden leaves,
nurses asking Where’s your husband?
When my father finally got there
my mother said What took so long?
not to him, black hat coated with grease,
but to me.
Postcard from Scott Spencer
Dorothy, the mail lady, delivers
the postcard as I decorate
for Christmas. She says No bills today,
tracks snow across the long black doormat.
Just this morning I asked the other waitress
if she’d seen Scott. She said Who? and I replied
The trucker, camps out at counter 9,
brings us the jumbo light up pens—
she slid a tip in her apron,
shook her head.
I stick Santa to the window
and think of Scott, alone in his semi.
I imagine headlights: icy rivers down dark roads.
The highway bare and breathless.
Silent Night on the radio,
Scott switching the station.
The postcard has palm trees
with bubble letters that say Florida,
and the flamingoes all wear sunglasses.
His words are like boot prints
across the postcard’s white sand:
Dear Sara,
I never know where I’ll be from day to day.
Last New Year’s they sent me to Long Beach
and I watched fireworks from a bridge.
All my life, firework shows have been kids
with sparklers. But these fireworks, honest to God,
shook me. Maybe I’ll get lucky again this year.
Happy Holidays, Scott.
I pour everyone more coffee.
This I’m sure of: today and for countless tomorrows,
I’ll trudge these stories through snow
until it’s gone.
My Mother’s Jet Plane
The jukebox slots are taped at our diner
so that people don’t lose their quarters,
but I still hear Mom’s song as she drags herself
to the same old coffee pour—May I Take Your Order
dance. At each booth, Mom shines the records’ steel caskets.
The lights are off in her face.
Her hair is clipped wings.
Before our jukeboxes died:
Mom punches E7: Leaving on a Jet Plane
over and over when she’s sad.
Customers slurp and chew, bob their heads
tap mud off their boots I’m leavin’
on a jet plane I don’t know when
I’ll be back again. Mom scrubs the blinds
and watches cars. She assumes they wheel happy people
to better places than this diner, these rusted red bones.
She scrubs until someone says Joan, can I get—
People need so many things just to eat.
When I lived at home:
Sometimes, from beneath me, I hear sobs.
Mom’s in the basement again
sitting on a dusty exercise bike.
I ask What’s wrong? She says
I can’t do the diner when I’m down
but your father needs me. I want to tell her
now is only one of your dances.
You will be manic soon.
Customers will say Okay Joan, twist my arm
and you’ll overflow their mugs
and draw whipped cream smiley faces on pies
that are just to die for.
And we will wait, Mom,
for clouds to ground your radiant jet
for your Leaving song to skip, for you
to come home.
Bridges
The contractions
had me writhing
on the ground
making me
a gateway
to the world.
Palms on the floor
I cried to the nurse:
I don’t know what to do.
She straightened
my slipper sock and said
That’s what labor is like.
On the monitor we saw
the contractions had gone from hills
to mountains.
Breathe through it
they say
but you wouldn’t try to go sailing
mid hurricane.
Before the contractions
were too steep to climb
I was dancing through them,
in my olive green hospital gown
joking about my new vintage dress
belly full from Thai.
The nurse said,
Normally it’s jello or popsicles,
that’s it.
I was dancing
any which way I felt
my hair dashing this way
then that
to the song I put on repeat
“Bridges”
as I belted out the refrain
I bet you wished you never burned that bridge oh no
‘Cause now you’d like to cross it.
Later lying on the crooked bed
the pain clawing its way through me
it was clear
Bodies are bridges,
and there’s no other way
of crossing.
Sara Ries
Sara Ries, a Buffalo native, teaches ESL and creative writing and lives in St. Petersburg, Florida with her husband and eight-month-old son. Her first book, Come In, We're Open, which she wrote about growing up in her parents’ diner, won the Stevens Poetry Manuscript Competition and was published in June 2010 by the NFSPS Press. She holds an MFA in poetry from Chatham University. Visit her website at sararies.com.