Germinating & Inescapable Emptiness
Erin Robertson
Image by Sourabh Panari
Germinating
Today the sunflower seeds have split.
They sit like toques on tall green crowns,
leaves not yet spread
but muscled up from the soil
after the kiss of drenched earth
swelled them to bursting,
sent them twisting upward
toward the slow fire of sunlight.
Now their subterranean selves
are held in midair,
incontrovertible evidence that buried potential
may emerge into the light.
My son, fourteen, has sowed plenty of other seeds,
but is still stirred to see so plainly
the black-and-white striped husks
perched atop the sprung green.
Now the cells of these new sprouts
should keep splitting until they, too,
bear golden crowns surrounding
the next generation of smooth striped packets of hope
ready to be pushed into the waiting earth,
ready to split and rocket into light after only
a week’s worth of sunrises and sets.
My son sits paused at the end of boyhood
waiting for the silent prompt that sends
his own cells doubling, his blonde crown
also stretching to sun. He waits, and takes on faith
that like the simple black seeds,
his body houses the knowledge needed
to transform and grow,
to shed one phase for the next,
to thrive in the light.
Inescapable Emptiness
My son cries for another Hawaiian bird
whose common name I cannot say—
'Akikiki?
But I can say what they call
the last wild female left:
Pakele.
(You know it’s dire
when they give them a name.)
And I know what her name means:
To escape.
If she survives another year,
he wants to make a pilgrimage to her;
he wants the heartbreak of being in her presence.
All he can offer is his pain.
All he can do is witness.
We bring our young into this world of dissolution
unsure their tender selves will bear
all the causes of our undoing.
For Pakele and her kin
it’s the high-pitched whine
and indiscriminate bite
of mosquitoes unknown to these islands
until we brought them
and the avian malaria they carry.
Too small to trap out, too numerous to undo,
now our error strips Hawaiian forests
of their songs every day.
All we can do is distract each other,
pointing to the sounds that still remain—
the trill of hermit thrush at dusk,
sunny burble of meadowlark on fencepost,
rasp of raven against white alpine sky,
rattle of crane transiting spring—
any frequency that might ease
the ache of life’s losses.
Galaxies
lupines
lynx
swallowtails—
wonders all—
and not one of them fit to fill the hole
of Pakele’s heart stilled to silence.
So he will go thank her if he can
for enduring the thankless task of being last.
He will earnestly tell this drab little honeycreeper
how honored he is to speak his love aloud to her,
a still-breathing bird,
not yet a pixelated memory.
And this whole heart-offering scene
will be one more devastation
I cannot stop.
Erin Robertson
Erin Robertson teaches outdoor nature writing classes in Boulder County, Colorado (@bocowildwriters) and serves as Writer in Residence for Friends of Coal Creek. Her poetry has been published in theNorth American Review, Cold Mountain Review, Poet Lore, Deep Wild, and elsewhere, and has been recorded by The Crossing. Past honors include being a guest artist hosted by the U.S. Consulate in Kazakhstan, Voices of the Wilderness Artist in Residence at Koyukuk National Wildlife Refuge in Alaska, Boulder County Artist in Residence at Caribou Ranch, and awards in the Michael Adams Poetry Prize and Columbine Poets Members' Contest. Her remarkable husband, two sons, parakeet, and pup teach her about wonder every day. erinrobertson.org