Stay & Slay

Interview with maker Ruth Kølle

Stays, more commonly known as corsets, are an undeniable classic.

Investing in a custom and lasting handmade garment is definitely the move for those interested in radiating ancient transcendental feminine energy, regardless of what may be en vogue at any time. Stays are generally made double sided, bespoke and a two for one, and I’m here for it. As a unifying feminine archetype, corsets seem to flatter all physiques and take on a connection with the wearer in addition to the clothing it's paired with. In 1994, the sci-fi movie Star Gate was released, and I am still fascinated by the costumes and ethereal nature of the androgynous villain, Ra, played by Jay Davison, and his metal girdle looks depicting corset style first seen in Ancient Egypt. Fast forward five thousand years to Lenape land where artisan, herbalist, and healer Ruthie Kølle shares a glimpse of her world making stays and plant medicine in connection with her Celtic roots.

—Erica Faison, Slow Fashion Editor

Photo by Brad McCabe

 

Erica Faison: How did you become inspired to make stays, and what has driven you to continue this craft amidst your larger calling of healing and plants? 

Ruthie Kølle: I have always been drawn to historical clothing, and I can remember vividly the first time someone laced me up into a corset. I was probably in my early twenties. It felt like a coming home. A remembering. Like a puzzle piece falling into place. That pinpoint in time was a tiny spark that helped me to light the fire of healing shame around the expression of my femininity, sexuality, and body image, which is work I've spent most of my adult life doing. I also grew up around a mother who was an avid seamstress and quilt maker, so I don't remember a time before knowing how to sew.

Photo by Claire Rosen

I only began making stays three or four years ago, because life was just full of other life stuff, like kids and building my herbal and bodywork business. I guess you could say it's pure passion that drives me to continue this craft. Passion for reconnecting with slower, more mindful life ways, passion for the pursuit of wonder and enchantment, passion for reconnecting with our beautiful bodies, and a passion for the empowerment of women. These are common threads you can find in all of the work I do, whether it's herbal, bodywork, or sewing stays, and so I try to balance my life in a way that allows me the time and space to indulge all of my creative endeavors. 

Photo by Brad McCabe


Erica: I am perpetually searching for alternatives to bras or attire which is comfortable and flattering without a bra. Stays seem to be an excellent substitute with one challenge being that they are not the quickest garment to put on. Can you talk about your experience and the rituals behind creating as well as wearing these intricate pieces in our busy modern world?

Ruthie: You are absolutely right in saying that they are not the quickest garment to put on—you can see why a lot of women had help getting dressed every day! I tend to favor front-lacing styles for this reason, and it still takes several minutes to get yourself comfortably into stays. This is part of the slowing down, I think. As you go up each set of eyelets, you're more aware of how it feels on your body and how your body reacts each time you tighten the laces. When I'm creating for a client, I involve them as much as I can along the way, even doing fittings if time and distance allow. More often than not, though, I'm creating them purely from seeing a fabric that inspires me, and it's a complete joy to see them take on shape and personality. It's always a little bittersweet sending one out into the world. If I have the privilege of being the first to lace it onto my client, nothing beats the look on their faces the first time they see themselves in it. Their spine straightens, their chin lifts, their eyes widen, and there's a feeling of empowerment about them. Even the act of lacing them into it is special, because it takes some time, it's so tactile, and it's a very personal garment. I'm always wondering and hoping that they'll remember that moment in the same light as I remember my first experience with a corset.

Erica: Can you tell us about how your comprehensive work empowers women and awakens divinity for all?

Photo by Brad McCabe

Ruthie: As far as bodywork is concerned, when someone gets on my table and trusts me enough to give me their hurting body for an hour, that alone is an act of empowerment for the client. They've made the decision to give their body what it needs and sought me out to create the time and space for them to heal. Sometimes it's not even about pulled muscles or back spasms. Sometimes the person just needs to feel heard for an hour or be in a space where they feel safe and held without judgement. One of my biggest pet peeves is when someone on my table apologizes for some part of their body that they deem "undesirable." I've heard it from women as well as men, and it breaks my heart. 

A big part of my approach to herbalism is about empowering people to have more agency over their own health, as well as cultivating a connection with the plants and seeing themselves as an active thread in the greater web of nature. It's often said that herbalism is first and foremost "the people's medicine," because it is meant to be accessible to everyone. There is no corporate entity that can stop you from creating medicine from your own earthspace. Modern medicine certainly has its place, and thank goodness for it, but with its advent, we were effectively cut off from a lot of our ancestral knowledge surrounding plants and working with them to support our health and vitality.

I also derive a lot of spiritual fulfillment from plants, which I believe is a right that we have largely institutionalized. As someone who was raised in a minister's household, there is something about the revelry in the resurrection of nature that speaks to me in a way that no religious rite within the four walls of the Christian mythology could. It feels like a re-wilding, a re-courting, a re-spelling of myself to the rhythm of nature that can't be contained or defined by any whitewashed building made by human hands. There are no monetary tithes or offerings required, just an open, willing heart, and there is no gatekeeper to say that you're not already "enough." Part of my mission as an herbalist is to guide people back to these ways of being.

I see the making and wearing of stays and corsets experiencing a big renaissance. A lot of women are finding ways to say no to fast fashion, reconnect with their bodies, and express themselves. This to me feels like a radical act, given the narrative we are fed as women of societal beauty standards and what big clothing companies decide is on trend. 

Photo by Claire Rosen

 

Ruthie Kølle

Ruthie Kølle is the sole proprietress of Mother Hylde who is the spirit behind her medicine making, bodywork practice, and the folkwear she creates. She lives in a cabin that is situated on the northern hem of her family’s 8th generation farm which occupies unceded Lenape land. She is deeply rooted to her place there and has apprenticed herself to reconnecting to her own Celtic ancestral ways, weaving them into the stories of the land where she is currently planted. It’s her passion to reconnect with and integrate these traditional and ritual methods of healing into our modern lives. Ruthie has been studying folk and clinical herbalism since 2012, and is also a licensed massage therapist, practicing her brand of intuitive bodywork since 2005. Find her medicines, folkwear, and more about her upcoming course, The Hedgewalker's Path, online at motherhylde.com.