Ten Moons & Other Poems
Sabrina Rose Nelson
Ten Moons
I was born during a dark moon, which means the moon was right behind the sun, which,
according to the old copy of Moon Signs I found at a used bookstore in London, means that I
may often feel as though I’m being led by something much larger than myself and must take care
not to fall into fanaticism.
When I was five and the moon was shining full I earned the nickname Sabrina the Brave
by running away from my nana and leaping off a small cliff into the Pacific Ocean.
My nana was born when the moon was a waxing crescent, which is why she had a certain air of
life, green freshness and vitality, like an earthy spring garden.
She died when I was six and the moon was dark.
Since then I have been homesick everywhere I have lived.
According to myth, when the Incan moon goddess Mama Quilla cried, her tears fell to earth as
droplets of precious silver.
That always makes me think of the last time I saw her, when she mouthed “I love you” to me
with tears falling down her face as I put on my coat and walked out of the hospital into a cold
November night.
I’ve moved so many times that home has become the faded polaroids of her I keep tucked into
my journal and the impression of a striped orange green comforter steeped in windowpane
moonlight.
In the past year and a half I have spanned 10 countries and 12 time zones, and exactly three
things have stayed the same: the moon’s cycles, the smell of the ocean, and the long list of things
I will never be able to tell her.
I miss you, as in it’s a new moon, as in the moon is hidden behind the sun, as in where are you?
why did you leave so soon?, as in can you hear me when I whisper to you through the silver
night air?, as in today I got home from work and started sobbing on the hardwood, eyes dripping
a river to float me home.
Wet Soil
Pond muck and blood rot
at the bottom of it: pain and love
and chaos and creation and disorder
and underneath it all, more love.
This soil is tenacious and pungent
home to wild parsnips and orphaned ducklings
covered in wet, sea grass, dewy earth,
rich silica worms, furled lotus.
Wet soil buried deep, blackberry brambles,
fertile mother–shard and sliver I dig for bones.
Blood dripping, skin starved, alone,
I lay out to bake in the fevered heat.
My body bare earth and scorched dirt. Dew
arriving to revivify, my grandmother’s tears
a sweet cooling resurrection.
In this soil I was planted, and here
in this soil I am made new.
Ananke
Damp summer night air fans in
through the window and my
peppermint tea has gone cold.
In this place I am free but wanting,
suspended in the moonlit pocket
between everything that was and
everything else.
I close my eyes and raspberries
ripe and hot scatter the ground
like triumphant confetti. I am five years
old and spread out on the mossy grass:
shaded in the watchful cool of
our backyard aspen, my handmade tulle
skirt wrapping me up in a lilac tinted
pool of my grandmother’s love.
A place only feels like home once
I’m done living there.
Right now the familiar musk of this moldy
basement makes me dizzy. Last summer
I spent an entire day searching the
shoreline for crab shells long outgrown.
I lined them up one by one on the porch
and soaked in the comfort of old homes
safely abandoned.
It is too cold here, and too dark. The bleak
grey skies are not cozy yet, my chest hurts,
and I do not know if what I want lies beyond
me or further back.
A place only feels like home once
I’m long gone.
Sabrina Rose Nelson
Sabrina Rose Nelson is a writer, collage artist & herbalist exploring grief, lineage, nature & the female body. Her work has appeared in several publications, including Bitch Magazine and Luna Luna Magazine. She is deeply influenced by the moon, the cyclicality of life, and the women in her family. To her, writing is a way to alchemize grief and pain into power, connection, and healing. sabrinarosenelson.com