Wash Day & My Great-Grandmother’s Cassettes
Dana Murphy
Image by Taylor Gray
Wash Day
Her daughters’ tiny cereal spoons rose
and fell in half-sleep hope of fairy godmothers
while she sweated over the pan of eggs,
their smooth white albumens and chalky
yolks yellow as a daycare center
glittering with salt.
The girls dreamed of nests,
lemon petal baths, secret tree coves
where pollen of pine, mulberry, juniper,
smog that had drifted to the Altadena foothills,
and the exhaust of his motorcycle,
was coaxed gently from their braids.
In her bedroom, she found a clean bandanna
to wrap her weeks-old twists.
shivered at her own mother’s scent
in the chest of drawers, brief as the pink
sometimes on white roses.
She summoned the hard mother hands
to detangle the years,
to heave the old wooden chair from the back
of the house to the porch ponderously
as she would a child,
without re-bursting the hernia that had been
loosed, an old birthstone, in her belly.
She would comb out the girls’ hair
on the front porch so the neighbors would know
they were only crying
salt, water, shea, oil.
My Great-Grandmother’s Cassettes
No sensible chit-chat left her lips
for another’s after September 25, 1981.
Exile, Miami, Los Angeles were moonstones.
Dictator, divorce, hysterectomy the arc of
one tulip tilting before the rest.
Virus, iron lung, death certificate in English
the lilt and linger
of her eldest daughter sharing a secret in ’54.
Do you hear it?
Every day she poured her voice into
the warm calix of the recorder
like cafecito with cream.
She rewound the tape of her life
and went all the way back by herself to feel it again:
the nation that used to breathe for her.
Returning home via Mexico, she lost her suitcase,
but the trip’s cassette was safe
in the nylon of her lilac-colored bra,
a needle of lightning on stormstruck sand.
Dana Murphy
Dana Murphy lives in California. Her writing has appeared or is forthcoming in carte blanche magazine, The 2River View, Up the Staircase Quarterly, Lily Poetry Review, and Obsidian: Literature & Arts in the African Diaspora. In 2024–25, she is a Fellow at the Stanford Humanities Center. Find her online at foremotherlove.com.